“What was it like when art and astronomy were intertwined?”
Leonardo da Vinci, Albrecht Dürer, Lorenzo Sirigatti, Galileo... what joins them together? Why is Galileo's Starry Messenger (1610) displayed alongside Giorgio Vasari's Lives of Eminent Painters and Sculptors?
Galileo’s scientific discoveries occurred in the context of a specific artistic culture which possessed sophisticated mathematical techniques for drawing with linear perspective and handling light and shadow.
Do you know someone who received a telescope for Christmas? There's no better way to begin looking through a telescope than to ponder the way Galileo's professional training as an artist prepared him to make his astronomical discoveries.
In the Galileo’s World exhibition, four galleries took their point of departure from Galileo’s Starry Messenger (Sidereus nuncius, 1610):
• Galileo and Perspective Drawing
• Galileo and the Telescope
• The Moon and the Telescope
• The Sky at Night
These distinct but overlapping galleries were on physical display in different places and combinations during the course of the Galileo’s World exhibition, most notably at the National Weather Center and the Fred Jones Jr. Museum of Art. Various books from these galleries are part of the January-February Rotating Display and the "The Sky Tonight reprise" gallery, including Galileo’s Starry Messenger itself.
Use this handout to aid you in you as you walk through the Rotating Display and The Sky at Night reprise gallery. On display January - February 2017.